With Maternity Beat, Hedvig Mollestad has surpassed herself, most significantly as a composer and arranger, and delivered her most ambitious work to date. And that´s not a proclamation to be taken lightly. Mollestad, after all, has been one of Norway’s most adventurous and hardest-working musicians since the Molde International Jazz Festival named her the Young Jazz Talent of the Year in 2009. Recorded with the 12-piece Trondheim Jazz Orchestra (who have previously worked with legends like Chick Corea and Joshua Redman), Maternity Beat is a sprawling double album and true career milestone. The sheer sonic and emotional scope of this album required Mollestad wear multiple hats: guitar explorer, composer, arranger, improviser, collaborator, and, as the striking title implies, mother. In addition to encompassing the full evolution of her sound to date, it offers deeply personal meditations on the nature of family and pressing social justice issues.
While listeners will no doubt encounter the Mahavishnu Orchestra-inspired fire music that has made the Hedvig Mollestad Trio heavyweights in 21st-century fusion and jazz-metal, Maternity Beat also expands on the contemplative experimentation showcased on two of Mollestad’s recent solo works: 2020’s Ekhidna, and Tempest Revisited, released in 2021, both of which netted her a Spellemannpris (the Norwegian equivalent of a Grammy).
Maternity Beat
With Maternity Beat, Hedvig Mollestad has surpassed herself, most significantly as a composer and arranger, and delivered her most ambitious work to date.
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Ingebjørg Loe Bjørnstad - vocals
Mai Elise Solberg - vocals
Trine Knutsen - flutes
Adrian Løseth Waade - violin
Martin Myhre Olsen - saxophones
Petter Kraft - tenor sax
Thomas Johansson - trumpet
Ellen Brekken - bass
Ingvald Andre Vassbø - percussion
Ståle Storløkken - organ and keys
Torstein Lofthus - drums
Erlend Skomsvoll - conduction
«Without boundaries, this daring suite confirms Mollestad's status as a peerless composer-performer.»
Mojo (UK)
Reviews
From the eerily brooding crepuscular opening track the music grips the attention as it develops through dramatically contrasting moods incorporating punchy riffs, complex ensemble passages, subtle orchestrations and fierce solos along the way. 5/5.
BBC Music (UK)
Editor's Choice. Mollestad’s great gift is to use music to give voice to those who have had their own taken from them. (…) A cry of love indeed.
Jazzwise (UK)
Few guitar players can match McLaughlin's intensity from that period, but Mollestad is up to the task, and she has a big, beefy tone to go with it.
The Absolute Sound (US)
Photos: Veronica van Groningen